A distant, futuristic, ancient or even extra-terrestrial place? The answer is not in the image but in the imagination.
A few themes from this artwork:
I am from Paris and I am 31 years old. I am an artistic director in commercials. I have always been passionate about photography, image and “beauty” in a more global way. I made it my job so that I could find myself in search of aesthetics in everything I do, all the time. If being a photographer might have seemed like the perfect playground for me, I quickly knew that I was not going to live up to my demands. So I tried to develop a different connection with the image.
Since 2016 and for this famous pleasure of the image, I have created a project called Anomaly. The idea: to produce surreal images; associations of images that do not work – a priori – together. It is by combining them that the “anomaly” is created naturally. I have always favored a minimalist approach, convinced that a visual idea should be simple and obvious. From this simplicity a story is born, which everyone is free to interpret in their own way. This paradox requires a subtle balance between the simplicity of an idea and a real sense of aesthetics.
Anomaly is a fantastic creative playground for me. A field in which aesthetics is my only goal and my only constraint.
The photograph is delivered in a tissue paper with white handling gloves and the certificate of authenticity. The artwork is shipped in a reinforced packaging that protects it. The combination of pigment inks and professional paper offers an exceptional result.
Its benefit : Pigment print on art paper is the most durable with a life span of over 100 years.
Simple, practical and trendy. The print is presented with its passepartout. The whole is assembled by hand with a cartfix support at the back and packed in a blister pack with the handling gloves and the certificate of authenticity. This finish is only available in standard sizes: 30x40cm, 40x50cm, 50x70cm and 70x100cm.
Its benefit : The passepartout has a neutral pH to help protect the photograph from condensation and thus increase its life span.
A classic of museums and art galleries. The art paper is laminated on a rigid 2mm Dibond support. This very resistant material is composed of a resin interposed between two thin sheets of aluminum. The no-reflection appearance and the very aesthetic aspect of this support particularly emphasize the works on art paper.
Its benefit : Dibond is a rot-proof, stainless and fully recyclable material.
Sober, elegant and modern. The photograph is laminated on cartfix and presented with its passepartout in an aluminium frame. The glass protects the artwork while increasing the brilliance of the blacks and colors. The passepartout has a neutral pH to protect the photograph by avoiding any condensation phenomenon. This is only available for S, M, L and XL formats to ensure the best rendering.
Its benefit : Aluminum is a durable material, requires no detergent to maintain and can be recycled indefinitely without losing its qualities.
A modern and refined finish that gives a lot of style to the artwork and gives an original depth effect. The print is first laminated on a 2mm thick Dibond support and then framed in a custom-made solid wood frame. This technique provides the space between the print and the inner edge of the frame. It is the star finish in galleries and among interior designers.
Its benefit : Laminated on a durable material, then framed in solid wood, the slightly recessed photograph is further protected.