Min Kush, which means “a thousand birds” in Kyrgyz, was officially created in 1955 as an industrial town built around a uranium mine. At the time, 17,000 people lived there, 85% of whom were Russians (engineers, KGB soldiers, etc.). This position gave the town the privilege of being supplied by Moscow for twenty years with products that could not be found elsewhere in the country: caviar, European furniture, jeans, etc. Then in 1969, the uranium mine closed and the town lost over 80% of its population. Today, although the city is largely uninhabited and looks like a ghost town, it still aspires to a new era thanks to different actions put in place by local authorities.
After several experiences in editorial offices, at Vanity Fair, Arte or Figaro Magazine, Maïlys Derville set up her own business in 2018 as a freelance journalist. It was also that year that she crossed paths with Corinne Vachon, a French photographer who has been documenting the lives of nomadic and semi-nomadic peoples for over ten years. Together, they went to Kenya, Afghanistan, Romania and Kyrgyzstan, each time with the aim of putting into perspective the history of men and women still living mostly in tradition. But if some of them try hard to perpetuate it, others open up little by little to the rest of the world and to the evolution… Photography appears then as one of the best means to testify and leave a trace. During these immersions, Maïlys develops a real love for the image, alongside her mentor, Corinne. At the crossroads between the artistic and the documentary, her photographic work has only one ambition: to capture the emotion of a scene and the essence of its subjects.
The photograph is delivered in a tissue paper with white handling gloves and the certificate of authenticity. The artwork is shipped in a reinforced packaging that protects it. The combination of pigment inks and professional paper offers an exceptional result.
Its benefit : Pigment print on art paper is the most durable with a life span of over 100 years.
Simple, practical and trendy. The print is presented with its passepartout. The whole is assembled by hand with a cartfix support at the back and packed in a blister pack with the handling gloves and the certificate of authenticity. This finish is only available in standard sizes: 30x40cm, 40x50cm, 50x70cm and 70x100cm.
Its benefit : The passepartout has a neutral pH to help protect the photograph from condensation and thus increase its life span.
A classic of museums and art galleries. The art paper is laminated on a rigid 2mm Dibond support. This very resistant material is composed of a resin interposed between two thin sheets of aluminum. The no-reflection appearance and the very aesthetic aspect of this support particularly emphasize the works on art paper.
Its benefit : Dibond is a rot-proof, stainless and fully recyclable material.
Sober, elegant and modern. The photograph is laminated on cartfix and presented with its passepartout in an aluminium frame. The glass protects the artwork while increasing the brilliance of the blacks and colors. The passepartout has a neutral pH to protect the photograph by avoiding any condensation phenomenon. This is only available for S, M, L and XL formats to ensure the best rendering.
Its benefit : Aluminum is a durable material, requires no detergent to maintain and can be recycled indefinitely without losing its qualities.
A modern and refined finish that gives a lot of style to the artwork and gives an original depth effect. The print is first laminated on a 2mm thick Dibond support and then framed in a custom-made solid wood frame. This technique provides the space between the print and the inner edge of the frame. It is the star finish in galleries and among interior designers.
Its benefit : Laminated on a durable material, then framed in solid wood, the slightly recessed photograph is further protected.
Art gallery quality
All Perspectives artworks are pigmentary prints made on art paper. Our finishes are used by the greatest museums and art galleries.